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Beat the Robots: How to Get Your Resume Past the podcasting articles, System Into Human Hands. Mark Slack and Erik Bowitz. Landing an preparing an outline paper interview for a position in a giant organization can feel impossible if you don’t have any personal connections. People often blame the sheer volume of resumes that are submitted—HR simply can’t review them all with enough detail to podcasting research articles dissertations, see what a perfect candidate you are! And this is partially true—one study suggests that recruiters spend only six seconds looking at each resume.

However, many resumes are trashed before they’re even seen by human eyes. How is that possible? Here’s how: Many large organizations rely on applicant tracking systems (ATS) to help pre-filter resumes. The systems work by scanning resumes for american essay thesis, contextual keywords and key phrases, mathematically scoring them for articles, relevance, and nursing essay questions, sending only the most qualified ones through for podcasting research articles dissertations, human review. Preparing An Outline! Essentially, they’re the 21st century version of the articles, troll under the preparing paper, bridge. Undoubtedly, this saves HR managers the research, time and in the, trouble of dissertations, sorting through irrelevant, underprepared, and weak resumes to find the ream come, golden candidates. Dissertations! But it also means that your application could slip through the cracks if you don’t format your resume just right or include the exact keywords the hiring manager is searching for. To Put A Thesis In The! To make sure you get past the troll and into the door for an interview, check out podcasting research these tips for writing a resume that an ATS will approve—and a hiring manager will love. While you might want to highlight your creativity or individuality to a hiring manager, ATS require cold conformity and simplicity. Therefore, you’ll need to delete any extra touches you’ve added to your resume, like logos, pictures, symbols, and shadings.

Also, stick to standard resume formatting in a normal font like Arial, Courier, or Times New Roman—the ATS can’t read fancy fonts and will reject your resume out of confusion. Furthermore, only include the usual sections of a resume: Qualifications, Professional Experience, Education, Skills, and the like. Adding unfamiliar headings like Affiliations, Publications, or Memberships can choke up an ATS. Finally, send your resume as a Word doc or in essay questions rich text format instead of a PDF. Podcasting Research Dissertations! Though ATS software is becoming better at nursing questions, reading PDFs, it can still miss important things when trying to research dissertations, process them. For any profession, there’s always lingo, software, responsibilities, basic skills, and licenses or certificates associated with performing the job well—and an ATS will be looking for key phrases and contextual information related to those qualifications.

To make sure the american revolution essay, software recognizes that you’re a good fit for the job, use these tips to successfully keyword optimize your resume: Include verb phrases and research articles, skills written in the job description on your own resume. These are very likely to be the same keywords and phrases the hiring manager has programmed the ATS to revolution, pick up—“project manager,” “Final Cut Pro,” or “social media marketing,” for example. Try services like Wordle and TagCrowd to help you figure out which keywords to focus on. Input the job descriptions into these tools to articles, create a word cloud that visually highlights the most frequently used words, and make sure they’re sprinkled throughout your resume. Research Paper! Use both the acronym and the spelled-out form of any given title, certification, or organization, so you’re set regardless of which format the ATS is looking for. For example: Certified Public Accountant (CPA). An important note here: Don’t go overboard. In the past, people thought that they could exploit the system by overstuffing their resumes with keywords, thus ranking them higher in the eyes of the ATS.

This is a very bad idea: Not only is the software sophisticated enough to see this kind of keyword stuffing, if your resume does make it into research, human hands, no one will be impressed by a nonsensical resume dressed to the nines in keywords. Aim for repeating important skills-related keywords two or three times (and no more). How can you do that without repeating job responsibilities or sounding obnoxious? Try this: WANT TO GIVE YOURSELF AN EXTRA BOOST? Are there people who would say no to that? 3. A Thesis Statement In The! Ditch the Career Objective Section. Career objective sections are kind of a waste of space. Dissertations! That boring boilerplate “I am a hard working person who wants to work in (blank) industry” is a bit obvious: Why else would you be submitting your resume? Furthermore, it’s not about how you want to apply your skills, it’s about how the company needs you to with writing, apply them.

Instead, try replacing this with a qualifications summary—a six-sentence (or bullet pointed) section filled with ATS-friendly keywords. Even better, use those six sentences to concisely present the creme of the crop of podcasting articles dissertations, your achievements, major skills, and important experiences. By doing this, you’re killing two birds with one stone: You’re appeasing the help with paper writing, ATS with keywords, and you’re also giving the hiring manager the juicy, important bits right at the top where he or she can quickly scan and understand the articles dissertations, value you would bring the company. Seriously, spelling mistakes are the death of your resume. While a human being can at least figure out what you mean (before tossing your resume into preparing an outline for a paper, the trash in disapproval), an ATS will terminate you immediately because it will simply have no idea what you’re talking about. Podcasting Articles! So double, triple, and quadruple check your resume before sending it in. A Thesis Statement! Have someone else do the same. Research Articles Dissertations! Spelling mistakes can be easily avoided if you’re careful. So take the time to follow these tips, and you’ll have a resume that will make it onto a hiring manager’s desk—and ultimately snag you the interview.

Feeling on a roll with your resume? Why not check out how to optimize your contact information or beef up your skills section? Photo of person on laptop courtesy of Sawitree Pamee/EyeEm/Getty Images#46; Mark Slack and Erik Bowitz are Senior Resume Consultants and content managers of the Resume Companion Blog. Resume Companion is american revolution, a leading online resume building company with over 650,000 registered users, and over 8 million resumes created to date. Hmmm, seems you#39;ve already signed up for articles, this class.

While you#39;re here, you may as well check out all the amazing companies that are hiring like crazy right now.

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lampman essay I n Archibald Lampman: Canadian Poet of Nature , Carl Y. Connor deduces from a comparison of research articles, Lampman’s early poetry with the fluent prose of his essays and letters of the same period that Lampman the public law case prose writer somewhat preceded Lampman the poet in the volume and character of his earliest work (51). Connor is referring specifically to Lampman’s writing of the early eighteen eighties when, as a classical scholar and then recent graduate of Trinity College, Toronto, he wrote copious letters to his friends 1 and published several essays and poems in the College magazine, Rouge et Noir . 2 Nevertheless, Connor’s general point is a valid one: before he published his first volume of poetry, Among the Millet, and podcasting Other Poems , in 1888, the nursing essay questions bulk of Lampman’s writing consisted of essays, letters, and—a genre only briefly considered by Connor— prose fairy tale[s] (78). 3 By as early as 1883, when he was beginning to publish his work outside the pages of Rouge et Noir , Lampman was becoming better known for his poetry than his prose, 4 but for the next twelve years at least he continued to podcasting research articles write essays for oral delivery or publication and twice served as a reviewer for The Week (Toronto). During this period he also collaborated with his fellow members of the Ottawa group of the paper Confederation poets, William Wilfred Campbell and Duncan Campbell Scott, on podcasting articles dissertations At the Mermaid Inn , a column that appeared weekly in the Globe (Toronto) from February 1892 to July 1893. When he died at the age of where, thirty-seven in 1899, Lampman left behind enough work in prose to fill a substantial volume and to sustain Connor’s claim that he was a thinker on many diverse topics, a discriminating literary critic, and a writer…[of] taste and. style (122, and see 147). Given its obvious interest as both a mirror and a lamp for his poetry and milieu, Lampman’s prose has attracted the attention of several scholars besides Connor. Shortly after the appearance of On Canadian Poetry (1943), a study that remains important for its elevation of Lampman and Scott over Campbell, Bliss Carman, and Charles G.D. Roberts in the pantheon of Confederation poetry, E.K.

Brown added further lustre to articles dissertations Lampman’s reputation by editing a pair of his prose works—Two Canadian Poets[:] a Lecture and The Character and Poetry of Keats—for publication in the University of Toronto Quarterly (1944, 1946). Some ten years later Arthur S. Bourinot edited a selection of Lampman’s Letters to Edward William Thomson (1890-1898) (1956) and a selection of At the Mermaid Inn (1958), the former with a truncated version of Lampman’s essay on Happiness as an appendix. There then followed another extended period of inactivity in Lampman editing that came to an end only in the nationalistic ’seventies when several editions of Lampman’s poetry, most notably the Poems (1974) in the Literature of Canada: Poetry and Prose in Reprint series from the University of Toronto Press, were joined by editions of american essay thesis, two more essays (The Poetry of Byron [1976] and Style [1980]), An Annotated Edition (1980) of the research dissertations Lampman-Thomson correspondence, and preparing for a two compilations by Barrie Davies: Archibald Lampman: Selected Prose (1975) and At the Mermaid Inn: Wilfred Campbell, Archibald Lampman, Duncan Campbell Scott in The Globe 1892-93 (1979). Both of Davies’ books have the merit of podcasting research dissertations, making available materials to which access is otherwise difficult or limited but, as Sue Mothersill points out in Archibald Lampman’s Critical Prose: an Edition of Selected Essays (1981), the Selected Prose is severely marred by editorial inconsistencies and carelessness of transcription: there is no indication at of paper come all as to where and how changes in the copy-text are incorporated into the edited text. Podcasting Articles. Dashes are sometimes used. to indicate an indecipherable word or phrase, but the essay reader has no way of knowing the meaning of this symbol. As a result. Podcasting Articles Dissertations. [Lampman’s] meaning is often confused or completely lost. Help With. …Sometimes word order is dissertations rearranged and numerous words and even whole lines are omitted from clearly penned manuscripts(4-5). It is symptomatic of the weaknesses of the Selected Prose that, as Mothersill again points out, the version of Happiness that it contains is based, not on the text published in Harper’s New Monthly Magazine during Lampman’s lifetime, but on does come Happiness: a Preachment by research articles dissertations Archibald Lampman and where does ream from Carrying to You the podcasting dissertations Best Wishes of the Ryerson Press (1925), a version that omits the essay’s concluding paragraph. It is the law case aim of the present edition to research dissertations make readily and reliably available all of Lampman’s essays and reviews with the exception of where the term ream from, his columns in research articles dissertations, At the Mermaid Inn , which, happily, fare better in american revolution essay thesis, Davies’ hands and, in any case, lose much of their import when removed from the dissertations context of the columns of where to put a thesis in the, Scott and Campbell.

Lampman’s essays, most of which were clearly intended for oral delivery, tend to fall into two parts: a general and sometimes very conceptual preamble that ranges widely over or around the topic at podcasting articles hand; and the body of the essay, which, in public school study, the case of podcasting dissertations, literary topics, relies heavily on quotations to advance and illustrate its arguments. Since they are conceptual in nature, the preambles to such essays as The Modern School of with paper writing, Poetry in England and Poetic Interpretation have attracted a great deal of scholarly interest and comment; indeed, Lampman’s account in the opening paragraphs of his Two Canadian Poets[:] a Lecture of the inspirational effect of his first encounter with Roberts’s Orion, and Other Poems in the spring of 1881 may well be the most quoted and best-known passage in his prose work, if only podcasting articles dissertations because Malcolm Ross cites and discusses it at length in american thesis, the Introduction to his important anthology of Poets of the podcasting research Confederation . In Archibald Lampman , L.R. Preparing An Outline For A Research. Early not only summarizes the same passage but also quotes and discusses aspects of the preambles of both The Modern School of Poetry in podcasting articles, England and Poetic Interpretation (see 23, 26, 46). Similarly close attention is paid to the preamble to Happiness in the Introduction to with writing the Canadian Poetry Press edition of research articles, Lampman’s The Story of an Affinity (see xxi, xxiii). The corollary of this emphasis on the preambles to Lampman’s essays is does ream of paper come from that many scholars have glossed over articles the ensuing details of his arguments and some editors have felt little compunction in help with, removing lengthy quotations and other materials from the body of the essays. In Archibald Lampman: Selected Prose , for example, Davies omits the lengthy (but not the brief) indented quotations from podcasting dissertations, The Modern School of Poetry in England and Poetic Interpretation, and in thesis, editing Two Canadian Poets and The Character and podcasting research articles dissertations Poetry of Keats for the University of Toronto Quarterly , Brown suppressed some of the longer quotations in the former (406) and, in the latter, reduced the does ream of paper from essay to somewhat more than half its original length by omitting passages quoted from the poems or the articles letters. [and] accounts of material happenings in nursing, Keats’ life, based on research articles dissertations Houghton and does ream come from other early biographers (356). Nothing that has been omitted [from ‘The Character and Poetry of Keats’] could significantly alter the podcasting dissertations bearing of the appreciations and estimates of essay questions, individual poems of which, apart from the introduction, these extracts principally consist, Brown assures his readers; [a] few words of comment, set down in passing, on various poems which did not arrest Lampman’s attention are the only references to poems that have not been reproduced (356). While understandable on podcasting articles the grounds of space and printing costs, these editing practises have given readers of the Selected Prose and the University of Toronto Quarterly a distorted sense of the content and form of Lampman’s literary essays, in effect, distilling approximations of the modern academic article from the looser medleys of discussion and illustration that he actually wrote. The omission of lengthy quotations and other material obscures two other important aspects of american essay thesis, Lampman’s essays: their rich resonances with his own poetry and dissertations their heavy reliance on the sorts of secondary sources towards which Brown tactfully gestures when he refers to accounts of. Keats’ life, based on Houghton and other early biographers. Numerous examples in both categories, particularly the second, can be found in where does the term ream come from, the Editorial Notes to the present edition, so only some representative instances need to be given here for the purposes of illustration.

Among the many examples and illustrations drawn from the poetry of Keats and Wordsworth that Davies delete[s] (2) from Poetic Interpretation are the research dissertations well-known opening lines of research, Resolution and podcasting articles Independence in public, which Wordsworth describes the transition from a stormy night to a sunny morning: There was a roaring in the wind all night; The rain came heavily and fell in floods; But now the sun is rising calm and bright; The birds are singing in the distant woods; Over his own sweet voice the podcasting research stock-dove broods; The jay makes answer as the magpie chatters.

And all the air is filled with pleasant noise of waters. All things that love the sun are out of doors; The sky rejoices in where does the term ream of paper from, the morning’s birth; The grass is bright with rain-drops; on the moors. The hare is running races in her mirth. Lampman argues that these lines convey very perfectly the poetic impression of a blithe bright morning after a night loud with rain and storm and research articles he must have had them in mind when he gave his own impression of a similar transition in After Rain, one of the most successful poems in Lyrics of Earth . There three. days and nights of rain and wind give way on the the where does the term ream from fourth day. at noon to a warm world of shining rillet[s] and Uplifted spirits that draws haymakers and nature-lovers alike from their houses:

I watched the gray hawk wheel and drop, Sole shadow on the shining world; I saw the podcasting articles dissertations mountains clothed and curled, With forest ruffling to the top; I saw the river’s length unfurled, Pale silver down the preparing fruited plain, Grown great and stately with the rain. Through miles of shadow and research articles dissertations soft heat, Where field and fallow, fence and tree,

Were all one world of greenery, I heard the robin ringing sweet, The sparrow piping silverly, The thrushes at the forest’s hem; And as I went I sang with them. Among the many differences between the stanzas of Wordsworth and Lampman is a faintly sinister, not to say post-Darwinian, detail—the predatory gray hawk—that Lampman may have remembered from one of the descriptive couplets of Roberts’s In the Afternoon that he quotes with approval in Two Canadian Poets: Again the public school law case droning bees hum by; / Still-winged, the grey hawk wheels on high. Podcasting Dissertations. 5 Presumably believing that the longer quotation of which this is a part does not slow unduly. or. Public School Law Case Study. obscure the movement of [Lampman’s] thought (406), Brown allowed it to remain in his edition of the essay, a reprieve denied to numerous other passages, including Roberts’s sonnet The Sower and podcasting research articles dissertations Lampman’s observation that it is apparently a transcript in verse of Franois Millet’s famous picture of the from same title. Only when all the quotations in all the essays are intact can the complexities of Lampman’s poetic preferences and practices become readily apparent. As Brown appears to have recognized, Lampman’s use of many of his secondary sources, not least the Life, Letters, and Literary Remains of John Keats by Richard Monckton Milnes (Lord Houghton) and Keats , an influential biographical and critical study by Sidney Colvin, was far from complex. In a manner reminiscent of the workings of the research Coleridgean fancy (and, indeed, of Coleridge himself in some of the less creative portions of the Biographia Literaria ), Lampman all-too-frequently constructs his essays from materials ready-made by other biographers and where to put a thesis statement critics, contributing little more to the project than fresh mortar and a new site. Thus— to articles give just two more examples—Lampman’s characterization of Shelley and preparing an outline research paper his poetry in The Revolt of Islam draws heavily on John Addington Symonds’ Shelley, and his presentation of Dante Gabriel Rossetti in The Modern School of Poetry in podcasting research articles dissertations, England as a man for whom every material thing was but the expression of something inward and spiritual merely reworks Walter Pater’s observation that for Rossetti, as for his great Italian namesake, the spiritual and the material are fused and blent. . Like Dante, he knows no region of spirit which shall not be sensuous also or material (5:212-13).

Such borrowings and adaptations are perhaps to be expected in essays intended primarily as lectures, a form that permits the unattributed use of secondary sources and allows for the impromptu interjection of attributions. (It is quite easy to imagine that when he delivered The Modern School of Poetry in nursing essay questions, England to the Ottawa Literary and Scientific Society in March 1885 Lampman prefaced his discussion of Rossetti with a remark like Of course, what I am about to say owes much to an essay by Walter Pater.) 6 But Lampman’s heavy reliance on secondary sources is more difficult to understand or excuse in the literary essays intended for publication. As informal as nineteenth-century criticism could be in regard to secondary sources, it customarily contains more acknowledgements of its debts then the literary essays that Lampman published or wrote for publication. The startlingly derivative nature of The Character and Poetry of Keats may partly explain its failure to find a publisher during Lampman’s lifetime as well as Brown’s decision to present it in severely edited form. Unfortunately, Mothersill’s observation that it is impossible. to tell whether Brown’s deletions consist. of research articles dissertations, Lampman’s own writing or material quoted by him (4) applies to large portions of the essay as a whole unless it is read, as the Editorial Notes in the present text attempt to make possible, with a comprehensive awareness of Houghton, and other early biographers. When Lampman turns to Canadian poets and non-literary subjects, the absence of secondary sources and the pressure of direct experience results in essays that are considerably more engaging and admirable than his more derivative studies of English Romantic and Victorian poets. School. The discussions of Roberts and Cameron in Two Canadian Poets are fresh and intelligent, and Friendship, College Days Among Ourselves, and Fishing in Rice Lake are enlivened by personal feeling and experience. Even German Patriotic Poetry and Gambetta, though heavily reliant in articles, different ways on other texts, are shot through with an obvious relish for patriotism and war that prevents them from being merely the university essays that they probably were. (As Connor observes, Lampman’s imagination was fired during his years at essay questions Trinity College by certain aspects of militarism [51].) But without doubt Lampman’s finest essay on any subject is Happiness, the last piece of prose that he published during his lifetime and the first to be reprinted after his death. Podcasting Articles. Not only is Happiness a well-crafted essay that makes creative use of sources as diverse as the writing classical topo s of The Choice of Hercules and Matthew Arnold’s Preface to his Last Essays on Church and Religion , but it also treats of a subject—the habits of articles dissertations, thought and work that lead to enduring art and lasting happiness—that had engaged Lampman in a deeply personal way for many years. In several of the essays in revolution essay, Rouge et Noir , happiness is a byproduct of friendship.

In The Character and Poetry of podcasting articles, Keats the pith and kernel of the meaning of Endymion lies in the lines that locate happiness in thesis, ‘that which becks / Our ready minds to fellowship divine, / A fellowship with essence’ that permits a glimpse of ‘The clear religion of heaven!’ And in Happiness itself the elusive goal lies in the resolute pursuit of a free and characteristic activity that permits a consciousness of adequate self-expression. within the limitations imposed by the social structure. Podcasting Articles. Very often in tandem with friendship, happiness is a theme that runs through several of Lampman’s essays and, very clearly, constitutes a major strand of his thinking about creative and social issues. Nowhere is preparing an outline for a paper this more evident than in a letter of articles, May 26, 1886 to May McKeggie in which he describes his own ways of dealing with depression: I very often feel totally forlorn and impotent in the presence of what I have planned for myself to do. But I find that it is useless to be always examining myself and endeavouring to calculate one’s own strength and resources. The best way is to preparing for a research go actively to work on the first thing in the way of one’s art that lies in the road—to forget if possible that one is trying to be great and just endeavour to do what one has in hand as naturally and truthfully as one can. Life has some boons either visibly or invisibly for everyone, and all work that is faithful and comes from a full heart is of value. …I think a great deal of the good work that has been done in the world has been the outcome simply of podcasting, a spirit of blind cheerful activity such as I describe. The great souls never knew half the time where they were going or what was to preparing research paper be the net result of research articles, it all—but they toiled carelessly and divinely on. Let us emulate them. In its rejection of obsessive subjectivity, its advocacy of blind cheerful activity , its deference to great souls who have toiled carelessly and divinely on and, above all, in its tone of moral earnestness this passage bears the unmistakable imprint of Thomas Carlyle.

As Lampman himself intimates through frequent recourse to paper The French Revolution , Critical and Miscellaneous Essays , and other works in Friendship, Gambetta, and elsewhere, Carlyle preceded Arnold as a major force in moulding his thought to the contours of articles dissertations, high Victorianism. It was within a Carlylean energy field that his beliefs about happiness and creativity took shape, that he came to understand the ethical and humanitarian duty of the artist to assist [h]uman nature in its divine progress towards what is pure and noble and beautiful (The Poetry of Byron), and that he developed a preference for Cameron over Roberts, Keats over Shelley, and almost any writer over Byron, the poet whose morbid egotism Carlyle regarded as a hinderance to for a the happiness that becomes possible when the Precept Know thyself . [is] translated into. Know what thou canst work at (1:132,153). That Lampman published his most Carlylean essay— Friendship— in the very month of research articles, Carlyle’s death—February 1881— may be taken as a tribute to the thinker who exercised a formative influence on his thought in the early ’eighties. To judge by a thesis the fact that references to Arnoldian critical and social concepts such as poetry as a criticism of life do not begin to appear in Lampman’s essays until the podcasting research articles mid-to-late ’eighties (see The Modern School of Poetry in England, Style, and Poetic Interpretation), he came to Arnold’s prose later than is usually thought, and perhaps with the encouragement of Roberts. Does The Term Ream Of Paper. Lampman’s correspondence with Roberts in the months following his epiphanic reading of Orion, and Other Poems in May 1881 has not survived, but a letter from Roberts of podcasting research, September 23, 1882 indicates that Lampman has mentioned Arnold’s poetry and offers suggestions for further reading. I shall only refer to him you speak of [as] second to no living English writer, Roberts enthuses before encouraging Lampman to read Arnold’s prose works, especially Essays in Criticism : if you are not already familiar with them, you will find them the richest of intellectual fruits.

That on ‘Heine’; on ‘Translating Homer’; ‘Maurice de Gurin,’ with others, are quite incomparable. Above all he is so tolerant, so lucid and unprejudiced, so broad in his grasp, and so exquisite in his expression ( Collected Letters 30). Where Statement In The. Lampman may already have been familiar with Arnold’s prose, if only in the General Introduction and podcasting research articles the Introduction to Keats in T.H. Ward’s The English Poets: Selections , but, if he was not, then perhaps Roberts’s advice took him to the first series of Essays on Criticism and, specifically, to the definition of the grand style in On Translating Homer and the discussion of the interpretative power of poetry in Maurice de Gurin that lie in the background of revolution, Style and Poetic Interpretation. In any event, Lampman was in the audience that heard Arnold deliver his paper on Numbers; or, the Majority and the Remnant in Ottawa in February 1884 and, as Michael Gnarowski suggests, probably tried to model his own activities on those of the great English man of letters (27). But, while Lampman drew on Arnold conceptually and devotes essays to some of the same poets (Shelley, Byron, and Keats), he did not share Arnold’s admiration for Byron or his distrust of research dissertations, democracy, and in the essay on socialism that he began in the mid-nineties he answers Culture and Anarchy with a plea for communistic brotherhood rather than liberal hierarchy. It is a pity that Lampman did not write the elaborate article on Matthew Arnold that, with Thomson’s encouragement, he was contemplating in where does ream come, May 1892, for such an article might have revealed a complex attitude to the man whom he regarded as the greatest poet of his generation ( At the Mermaid Inn 98), particularly if it had—as, unfortunately, seems unlikely—reflected his friend’s advice to be spontaneous, and indifferent to what other writers have said on podcasting dissertations th[e]. matter ( Annotated Correspondence 41, 43). Less formative or broad in his influence on Lampman’s essays than either Carlyle or Arnold was John Campbell Shairp, the Professor of Poetry at Oxford from 1877 to his death in 1885. An Outline. A vigorous proponent of the thesis that man’s spiritual nature must be postulated in any adequate philosophy of life (Bayne 1282), Shairp insisted on research dissertations the moral as well as the spiritual functions of the best poetry and help judged poets from Shakespeare to Tennyson accordingly.

His analysis of Aesthetic literature in Dante Gabriel Rossetti probably helped to colour Lampman’s response to that poet in The Modern School of Poetry in England and his On Poetic Interpretation of Nature , a series of essays on research articles Wordsworth and other poets, appears to lie in the background of Poetic Interpretation. Even more influential in shaping Lampman’s conception of the desirable characteristics and effects of poetry was Aspects of Poetry , a collection of preparing an outline for a, Shairp’s Oxford lectures that includes an essay on Poetic Style in Modern English Poetry that seems to have provided a point of departure for podcasting research articles Style and to have contributed also to Poetic Interpretation. Aspects of Poetry diminished in importance for Lampman when he turned his attention to Keats and Happiness in american revolution thesis, the early-to-mid-’nineties, but prior to that Shairp supplemented Carlyle and then Arnold in shaping the podcasting research dissertations high Victorian moral-aesthetic that dictates the three central concerns of his literary essays—the relation of beauty to morality, the relation of poetry to spiritual progress, and the value of where a thesis in the, a poem—its likelihood to research articles endure—as measured by its moral and spiritual content. Nursing School Essay Questions. At the heart of Lampman’s moral-aesthetic is the research articles belief, synthesized from his Victorian models in the crucible of his Anglican upbringing and education, 7 that for a poem to be considered good in every sense of the word it must be a beautiful creation that will not depress or demoralize its readers but, rather, cheer, inspire, and elevate them, and, in so doing, add to their happiness, 8 contribute to the well-being of society, and assist human moral and spiritual progress. Little wonder that the bulk of the Notes that Lampman took from american, John Ruskin’s Lectures on Art are from Lecture 3. The Relation of Art to Morals (see the Appendix in research articles dissertations, the present edition).

Since Lampman’s primary concern was to direct his readers and listeners towards poems that are both aesthetically and revolution morally good, he pays close attention to research dissertations matters of technique and public law case study craftsmanship but always subordinates them to social and articles ethical priorities that inevitably include— for how, his assumptions lead him to ask, can a bad poet create a good poem?—the character and conduct of the writer. Keats may have succumbed, occasionally, to the promptings of a sensuous nature, and his infatuation with Fanny Brawne was bad for his mental and physical health, but on the evidence of his friends, his letters, and his biographers he was a profoundly ethical and school essay questions humanitarian man who would have made his famous aphorism. complete if he had said that Beauty [is] Goodness as well as Truth. for that which is research dissertations beautiful and true in study, th[e] lofty sense is also good (The Character and Poetry of Keats). Podcasting Research Dissertations. Byron, in contrast, may have written a few good poems in help paper, moods of podcasting dissertations, high and serious reflection, but in the aggregate his work will not endure because it is the product of a man given to selfishness and dissipation (The Poetry of Byron). By the same moral-aesthetic logic as applied to preparing research paper a poet’s choice of subject-matter, The Blessed Damozel is an admirable product of Rossetti’s ability to give material form to his inward and spiritual moods but Jenny, his meditation on the realities and implications of prostitution, is chiefly noteworthy as being a representative work of the whole [Pre-Raphaelite] school and of later literature generally, bare, realistic, and hopeless (The Modern School of Poetry in England). Articles. Similarly, Roberts’s Greek poems in the manner of Milton. Tennyson. Keats and.

Arnold—all good men and good poets—command admiration both morally and aesthetically, but two of his love poems, Tout ou Rien and In Notre Dame are thoroughly disagreeable, the first because it is a declaration. [of] boundless and pitiless egotism and the second because it is an an outline for a paper expression of brawny passion (Two Canadian Poets). It is as consistent with Lampman’s moral-aesthetic that in the preamble to Style he uses human conduct as an analogue for research articles poetic style as it is that in the opening paragraph of The Modern School of Poetry in England he defines poetry neither as the Interpretation of the where a thesis in the Invisible (Carlyle) nor as a Criticism of Life’ (Arnold) but as ‘The Transfiguration of podcasting research, Life’ (Alfred Austin), a conception that he allies to paper writing Arnold’s definition of religion as Morality touched with emotion.’ The truly good poets, in Lampman’s view, are those whose life and work show a determination to rise above life as it is and to point towards what it ought to be; they are those whose moral sense causes them to put their imaginative powers and technical skills at the service of the ideal rather than the real, their fellow human beings rather than themselves. An aspect of Lampman’s high Victorian moral-aesthetic that may also bear the imprint of his classical training at podcasting research dissertations school and university is his insistence that a characteristic of the work of the best or most perfect poets is the great variety (Poetic Interpretation) or elasticity (Two Canadian Poets) of its styles and subjects. Taking his cue in Style from any one (or more) of the Victorian critics who followed Coleridge (and, behind him, Samuel Johnson) in where the term ream of paper, proclaiming Shakespeare a universal man for research articles his ability to enter imaginatively into any subject, Lampman cites passages in law case study, Henry IV, Part 2 and Richard III as evidence of a universal mind that represents the highest development of the common healthy human intelligence and a universal style that reflects the absence of any special bias of thought and feeling. Most closely resembling Shakespeare in universality of mind and style is the chameleon poet Keats, who comes closest to being the perfect poet that Milnes in fact called him ( Life 94) because [h]e was governed by no theory and by no usurping line of thought and feeling.

He was beyond all other men disposed to surrender himself completely to podcasting dissertations the impression of everything with which his brain or his senses came into contact (Poetic Interpretation). Below Shakespeare and Keats in their imaginative and revolution stylistic versatility are, in descending order, Wordsworth, Arnold, Tennyson, Shelley, Coleridge. and podcasting articles dissertations so on past Rossetti to the utterly monotonous monomaniacs of the Pre-Raphaelite school—Swinburne, a poet who has never meditated genially and sympathetically upon the homely things of school essay questions, life, and Morris, another morbid[ly] unhealth[y] soul whose poems display a universal monotony and want of hearty life that has done nothing to help the cause of order and divine beauty and peace (The Modern School of Poetry in research articles dissertations, England). As even these few examples show, variety and monotony are the a thesis stylistic manifestations of a set of podcasting dissertations, binary oppositions that Lampman applied to any poetic canon to determine whether, in the aggregate, its author was good (versatile: sympathetic: healthy: humanitarian) or bad (monotonous: subjective: morbid: socially destructive). Believing as he did that ‘[h]uman nature. [is] half human and half beast—but the human is the mightier part, and the whole is ever striving to be divine (The Modern School of Poetry in England), Lampman recognized that no poet, not even Shakespeare, was entirely perfect, but he also held onto the hope—and herein lies the humanitarian and evolutionary thrust of his idealism—that human striving might one day in the far distant future create a perfect world and a perfect poet. No doubt, Lampman’s preference for with writing healthy variety in his poets was partly conditioned by Arnold’s association of monotony with morbidity in the Preface to his Poems (1853) and elsewhere (see Complete Prose Works 1:2-3), but it may also have origins in the classical principle of veriatas as practiced by Horace, Ovid, Statius and other Roman poets. Lampman probably knew the work of some or all of these poets directly and podcasting his discussions of help writing, sixteenth-and seventeenth-century literature in Style suggest that he may also have known works such as Ben Jonson’s Under-wood and John Dryden’s Sylvae which embodied the research articles dissertations idea, that, like a forest, a volume of poetry should contain poems in a variety of forms on a variety of subjects.

9 And he would certainly have been aware, if only after 1886 as a result of Roberts’s In Divers Tones volume of that year, that in the first stanza of the first section of In Memoriam Tennyson expresses his admiration of him [Goethe] who sings / To one clear harp in where ream come from, divers tones, / That men may rise on research articles stepping-stones / Of their dead selves to higher things (864). 10 However he came by it, the ideal of does of paper, variety was critically important to Lampman, not merely as a criterion for judging other poets, but as a principle for assembling his own volumes of poetry: Among, the podcasting research articles dissertations Millet , and Other Poems is diverse in its styles and subjects, and public school study Lyrics of Earth might have been similar if Lampman and Thomson, who helped to give it its final shape as a somewhat monotonous a cycle of nature lyrics (see Annotated Correspondence 144), had not recognized the podcasting articles difficulty of interesting a publisher in a collection of miscellaneous poems (qtd. in Greig Part 2:13). Where Ream Come From. 11 It is a testament to Lampman’s continued commitment to the principle of variety and podcasting research articles dissertations all that it implies about the essay questions poet’s mental make-up 12 and humanitarian functions, that in Alcyone , the volume that he left unpublished at his death, his visions of the podcasting research articles Issue of Things that Are (The City of the End of where the term of paper, Things) and the Country of the Ought to Be (The Land of Pallas) 13 are surrounded by twelve nature sonnets to make a variety ( Annotated Correspondence 166). 14. Perhaps the most striking thing about Lampman’s reviews is that two— probably three—of them treat of books by authors whom he knew personally.

The Life and Times of Sir John A. Macdonald , which appeared in the June 30, 1883 number of the Canadian Illustrated News (Montreal), takes the podcasting dissertations reader through the where Life and Times of the Right Honourable Sir John A. Macdonald by Joseph Edmund Collins, a mutual friend of Roberts and Lampman who was responsible for establish[ing] a corresponding friendship between the two poets and may have provided the copy of Orion that so inspired Lampman in May 1881 (Taylor 204-05). After Collins’s death in 1892, Lampman described him in At the Mermaid Inn as almost the podcasting dissertations literary father of some of the to put a thesis young men who are now winning fame among us (40). And, as its title indicates, Mr. Research Articles Dissertations. Thomson’s Old Man Savarin , published in does come, the August 9, 1895 issue of podcasting research articles, The Week , is a review of public, Old Man Savarin and Other Stories by Edward William Thomson, a friend since March, 1890, when he wrote an editorial in the Globe suggesting to Macdonald that he should encourage Canadian talent by appointing Lampman to a less onerous and more remunerative position than the one he then occupied in the Post Office Department of the Civil Service. The fact that Lampman’s third review—his brief notice of C[harles] J. Articles Dissertations. Parham’s Lyrical Translations from the nursing Languages of Oc, Italian, Spanish, Portuguese and Provincial Dialects in The Week for December 8, 1887—treats of a work published privately in Ottawa suggests that Parham, too, was a friend or acquaintance.

It is thus predictable that, to adopt the disclaimer with which The Life and Times of Sir John A. Macdonald begins, none of Lampman’s three reviews is severe and critical, and all aim to give. readers a general idea of a. work judged to be very able and delightful. It is not beyond the bounds of possibility that the network of friendly reviewing in which Lampman played a minor part was in William Wilfred Campbell’s mind when, in the April 20, 1895 issue of Saturday Night (Toronto), he fired the first shot in what quickly became known as The War Among the Poets, a cross-border skirmish that, if nothing else, dispelled any illusions that readers might have had about the cohesiveness of the Canadian literary community. 15 It seems to me that amid the research articles dissertations incessant hailing and applauding of literary lights on both sides of the national boundary, wrote Campbell, there is a great deal of insincerity and cheap humbug that is a hundred times more injurious to our literary development than dead silence on the whole subject. …In a very able editorial in one of its February issues, the New York Nation attacked this pernicious system under the american essay title it has well earned, that of ‘the log-rollers.’ The Nation describes…‘log-rollers’ as a combination of unknown but extremely ambitions writers who band together for purposes of research articles dissertations, mutual admiration, and carry out their compact by booming one another in the…papers to which they have literary access (American Literary Conditions 4-5). Of course, it would be an exaggeration to categorize Lampman’s three isolated reviews as log-rolling of the systematic sort decried by Campbell, but they are, nevertheless—and as Lampman, at least in the first instance, frankly admits—the products of paper, a mutual admiration born of podcasting research articles, friendship. In and of themselves, Lampman’s reviews are probably most interesting as indicators of his broad understanding of Canada’s history, landscape, and cultural conditions, his fondness for humour, and his patriotism. At various points the reviews resonate with the essays, as, for example, in the approving quotation of Collins’s view of Sir Alexander MacKenzie as a politician whose [c]ast-iron theories always hedged him in writing, and set bounds to his every impulse and plan and in the general observation of Thomson’s Canadian stories that they give some idea of the variety of scene which presents itself to the student of Canadian life. To what extent, it might be wondered, did Collins’s preference for pragmatic rather than theoretical politicians influence Lampman’s similar taste in poets?

And could Lampman’s preference for variety have stemmed in podcasting research articles dissertations, part from a belief that this was an appropriate if not inevitable response to the diversity of scenery that he counted among the environmental factors working to the term ream come mould the Canadian character and, eventually, to create a Canadian race and a Canadian literature (Two Canadian Poets)? It is as much for the questions that they raise as for the insights that they provide into the thought and milieu of Canada’s finest nineteenth-century poet that Lampman’s essays and reviews will be of interest to students and scholars of Canadian literature. The Present Edition. The texts in the present edition are based on those published during Lampman’s lifetime or, in the case of essays that were not so published, on the holograph manuscripts in podcasting research articles dissertations, the National Archives of Canada in Ottawa, Ontario and in the Library of Simon Fraser University in Burnaby, British Columbia. The specific copy text of each essay and review is described and, if necessary, discussed in the headnotes that precede the annotations in the Editorial Notes. The editorial cornerstone of the present edition is the principle that in (re-)printing Lampman’s essays and reviews the text as originally published or written should be allowed to stand with as little alteration as possible. In accordance with the principle, Lampman’s characteristic (and often interestingly anachronistic) spellings of such words as sourse, leizure sieze and reallities have been retained, as has his inconsistent use of British and American spellings. When grammar or sense has required the addition of a syllable, a word, or an item of punctuation, it has been set off in square brackets. When it has not been possible to provide corrections in square brackets without emending an error (of spelling, for essay example) the error is noted by [sic].

Since Lampman’s frequent errors in reproducing the research punctuation and wording of quoted materials are both telling and interesting, they have been allowed to stand except in the case of terminal punctuation and, very occasional, colons that are logically and grammatically necessary; when these have been added to quotations or—since Lampman was often careless or negligent in this respect also—to the essay questions sentences that introduce quotations, they have also been set off in square brackets. Only when an error of wording in a printed essay or review is blatantly a typographical error has it been emended (again, in square brackets). Details of the differences between Lampman’s quotations and their originals are given and sometimes discussed in the annotations. In editing Lampman’s holograph manuscripts for the present edition, the podcasting research articles dissertations following procedures have been adopted: hyphens have been treated as dashes except between syllables and in compound words; ampersands and contractions have been expanded; and american revolution thesis Lampman’s corrections have been accepted (and, where significant, noted in podcasting research, the annotations). When an the term of paper from essay has posed particular problems of transcription, these are discussed in the headnote in the Editorial Notes. In accordance with formal typographical practice, underlinings have been rendered as italics; surrounding quotation marks have been removed from indented quotations except when they note the beginning and end of a speech; and the titles of newspapers, periodicals, plays, books, and long poems published in book or pamphlet form have been italicized, while those of articles dissertations, articles, short poems, and other sections of ream, books have been enclosed in double quotations marks. In The Character and Poetry of Keats indented quotations that include interjections by Lampman have been run on to the articles dissertations preceding sentence. To provide students and scholars with a sense of Lampman’s intellectual and stylistic shifts and development, an attempt has been made to where a thesis in the arrange his essays and reviews in chronological order. This has yielded a skeletal sequence based on the certainties of publications, oral delivery, and dated manuscripts:

The Revolt of Islam December 1880. Friendship February 1881. College Days among Ourselves [I] February 1882. German Patriotic Poetry March 1882. College Days among Ourselves [II] March 1882. Fishing in Rice Lake August 1882. College Days among Ourselves [III] November 1882. College Days among Ourselves [IV] February 1883. The Life and Times of podcasting, Sir John A. Macdonald June 1883. The Modern School of Poetry in England March 1886.

Lyrical Translations December 1887. Two Canadian Poets[:] a Lecture February 1891. The Character and Poetry of Keats 1893. Mr. Nursing Essay Questions. Thomson’s Old Man Savarin August 1895. This leaves four essays in limbo: Style, Poetic Interpretation, The Poetry of Byron, and the untitled draft on Socialism.

Since the last of these appears in a notebook in the National Archives among poems dated from December 28, 1895 to March 4, 1896 and other materials of the mid-to-late nineties (see headnote), it has been placed between Mr. Thomson’s Old Man Savarin and Happiness. Style is a little more difficult to position, but some internal evidence suggests that it was delivered orally after 1886 and probably between December 12, 1889 and October 6, 1892 (see headnote); it has therefore been placed between Lyrical Translations and podcasting articles dissertations Two Canadian Poets[:] a Lecture. More difficult to place are Poetic Interpretation and The Poetry of Byron. Was either of them the paper that Lampman read to law case study the assembled army of pedagogues—web-footed, English-mutilating, spoon-in-cup, knife-instead-of-fork-substituting, tobacco-chewing barbarians from every quarter of the research country (qtd. in Connor 61)—at a teachers’ convention between September 1882 and January 1883? Was either the prose essay for the ‘Atlantic Monthly,’ or some like publication that Lampman was meditating in the spring of 1883 (qtd. in Connor 68)? The evidence for placing the two essays together and later is far from where does the term ream come, strong, but it is podcasting research articles perhaps sufficient: both are written in pen on the same type of where to put a thesis, paper (see headnotes); the articles script of both resembles that of The Character and american revolution Poetry of Keats; The Poetry of podcasting research, Byron indicates a familiarity with Roden Noel’s 1890 Life of Byron (see headnote); and Poetic Interpretation approaches the various poets that it discusses with some of the assumptions of Style and The Modern School of Poetry in England but treats of Keats in a manner that anticipates but does not coincide with the long essay begun in October 1892 (see the headnote to The Character and Poetry of Keats). The fact that Arnold is a point of reference in help writing, both essays, providing the conceptual framework for Poetic Interpretation and the concluding quotation for The Poetry of Byron, may indicate that they were written early in 1892 when, as observed earlier, Lampman was contemplating writing articles in criticism for magazines and an elaborate article on podcasting dissertations Matthew Arnold ( Annotated Correspondence 40-41). 16 The Poetry of help with paper writing, Byron and Poetic Interpretation have thus been placed between Two Canadian Poets[:] a Lecture and The Character and research articles Poetry of Keats, but it should be borne in mind that this position, like that of Style and [Socialism], is tentative.

Notes to the Introduction. Connor partly bases this view on letters that appear to have survived only in his excerpts from them (see Connor 205). [back] Taking its name from the College colours (with a gesture, very likely, towards Stendhal’s Le Rouge et le noir), Rouge et Noir was published quarterly in the interests of Trinity College from January 1880 to nursing questions December 1885, after which it became the Trinity University Review. According to articles dissertations its opening number, it was to be a forum for free and liberal discussion (5), albeit within the essay thesis Church of England traditions of the College (see also Trinity, 1852-1952 41-46). Since Lampman entered Trinity as a Foundation Scholar in the fall of 1879, he may well have been involved with the inception of Rouge et Noir and certainly wrote material for it in addition to research articles the essays contained in the present edition (see the headnote and a thesis statement in the annotations to College Days among Ourselves). [back] Hans Fingerhut’s Frog Lesson was published in 1885 in Man, a periodical run by podcasting research dissertations Lampman’s father-in-law, Dr. Edward Playter, but The Fairy Fountain was not published until 1975 in Archibald Lampman: Selected Prose; it is probably the fairy tale that Lampman mentions having recently written in a letter of public law case study, January 29, 1885 to May McKeggie.

Since both Hans Fingerhut’s Frog Lesson and The Fairy Fountain are Kunstmrchen—allegories written in the manner of the German folk tale (Volksmrchen) by several German Romantic writers—they reflect Lampman’s interest in German literature and, indeed, his German background (see Connor 13-17). In a letter of December 28, 1885 to May McKeggie, Lampman states that he has recently been given a copy of podcasting articles, [Johann Wolfgang von] Goethe’s short novels and Tales—R.D. Boylan’s translation of Goethe’s Novels and Tales (1854, 1878), which includes J.A. Froude’s translation of Die Wahlverwandtschaften (Elective Affinities). [back] Winter Evening and The Life and Times of Sir John A. Macdonald were published, respectively, in the February and american revolution thesis June 1883 issues of the podcasting articles dissertations Canadian Illustrated News (Montreal), and Fishing in Rice Lake in the August 10, 1882 issue of nursing school essay, Forest and Stream. In the chapter on Canadian Thought and Literature that concludes the Life and Times of the Right Honourable Sir John A. Macdonald, J.E. Collins predicts a brilliant…future for Lampman as a poet on the basis of his exquisite touch and some lines of the podcasting research articles dissertations very highest merit (496). [back] A grey hawk slow-wheeling also appears in Roberts’s Tantramar Revisited (Collected Poems 79), which Lampman greatly admired and probably quoted at length to conclude Style. [back] Twice in the early ’nineties when he was entertaining the possibility of being offered a teaching position at Cornell University, Lampman complained vociferously to Thomson about his lack of books and reading: I am so ignorant and where to put a thesis statement in the so ill-read that I hardly know how I could support the position of an assistant Professor of anything. . For a man who has so much natural talent as I, it is surprising how little I have read.—and now I exceedingly regret that I have not given more time to study, he moaned on October 4, 1891, and again on May 20, 1892: [t]he trouble is that I am hampered in. Podcasting Research Articles. [writing articles of criticism] by my lack of reading and poverty of information. I have ideas enough, but not enough knowledge of books to support them’ (Annotated Correspondence 20, 40-41). [back] Lampman’s father, also Archibald Lampman, who first instructed [his son] in the art of verse (Poems 175), was an Anglican minister and Trinity College was an Anglican institution (see note 1, above). Nursing School Essay Questions. In a letter of November 1, 1897, Lampman states that it depresses [him] to go to church and offers a bleak analysis of the podcasting articles appeal of Christianity (Annotated Correspondence 194). [back] This is one of Arnold’s requisites for poetry in the Preface to his Poems (1853), the other being that its representation of human feelings be add[ed] to our knowledge by being particular, precise, and firm, and moreover, serves to enspirit and rejoice the reader. [to] convey a charm, and infuse delight (Complete Prose Works 1:2). An Outline Research. [back] For the classical origins of the aesthetic of variety and podcasting research its importance for nursing school seventeenth-century poetry see the podcasting dissertations essays of help paper writing, Earl Miner, William S. Dissertations. Anderson, and Annabel Paterson in Neil Fraistat’s Poems in their Place. For some nineteenth-century Canadian manifestations of the aesthetic and statement in the their implications, see my Trees and Forest. Podcasting Research. [back] In an obituary column in At the Mermaid Inn on October 15, 1892, Lampman praises Tennyson for, among other things, his perfection and variety of the term ream come from, phrase and cadence and describes In Memoriam as his wisest and. loftiest poem (172). Research Dissertations. [back] See also my Introduction to Lyrics of Earth, 7-10. [back] In his At the Mermaid Inn column for April 2, 1892, Lampman contrasts the businessman, who spends his whole life in the pursuit of a dream, with the poet, who attaches himself to no dream and endeavours to see life simply as it is, and to estimate everything at nursing school essay questions its true value in relation to the universal and the infinite (44-45). [back] In the last proof sheets of…[Alcyone] corrected by Lampman (Duncan Campbell Scott’s note) in the Lampman Papers in the National Archives of Canada the research full titles of his dystopian and utopian poems are The City of the questions End of things, or, The Issue of research articles, Things that Are and The Land of Pallas, or, the Country of the Ought to Be (MG29 D59, vol. Preparing For A Research. 3, 1176 and 1209). [back] See also Lampman’s statement on October 30, 1895 in podcasting research, regard to the ‘Century of Sonnets’ that he had assembled in the late summer of the previous year and had since been trying to place with an American publisher: I will take out ten of the writing descriptive sonnets and mixed [sic] the rest in with the general ones, so as to make up a variegated collection of 90. …I will call it ‘Sonnets of Life and research dissertations Death’ (Annotated Correspondence 158). [back] Campbell was an aggressive and with paper writing paranoic personality whose final columns in At the podcasting dissertations Mermaid Inn in June and July 1893 included denigrating remarks about descriptive sonnet writers and landscape painting in words (334, 341) that may have been aimed at his fellow Confederation poets, particularly Roberts and Lampman.

On June 6, 1894, Lampman described Campbell to Thomson as a curious bird, adding in confidence: I have reason to believe that he regards me as an enemy, assisted by numerous emissaries, who are always lying in weight [sic] to injure his fame and literary reputation. On May 6, 1895, after the War Among the Poets had broken out, he went further: Campbell has actually got it into his head…that I—I mind you—am engaged with Roberts and Carman in nursing school, an underhand intrigue to podcasting research dissertations destroy him and nursing questions undermine his literary reputation. …He harbours infinite wrath and podcasting bitterness against me. Campbell is help a monomaniac on the subject of his reputation. His state of mind in regard to such matters amounts absolutely to articles madness (Annotated Correspondence 122, 139). Alexandra J. Hurst has made the american essay thesis documents generated by the controversy readily available in The War Among the Poets. [back] Poetic Interpretation has been placed after The Poetry of Byron in the present edition because its distinctly critical view of research articles, Shelley accords with that expressed by essay questions Lampman in his At the Mermaid Inn column for March 5, 1892 (see the headnote to The Revolt of Islam). The moralistic tone as well as the positive assessment of Shelley in podcasting research, The Poetry of Byron align it with The Modern School of essay, Poetry in England and podcasting dissertations Style. [back] Works Cited in the Introduction.

Arnold, Matthew. Complete Prose Works . Ed. R.H. Super. 11 vols. Ann Arbor: U of Michigan P, 1960-77. Bayne, Thomas Wilson. John Campbell Shairp. Dictionary of school law case study, National Biography . 17: 1281-83. Bentley, D.M.R. Introduction.

Lyrics of Earth . By Archibald Lampman. Ed. D.M.R. Bentley. Ottawa: Tecumseh, 1978. 1-20. ——. Introduction. The Story of an Affinity . By Archibald Lampman. London: Canadian Poetry Press, 1986. xi-xxxi.

——. ‘Trees and podcasting articles dissertations Forest’: Notes on Variety and Unity in Nineteenth-Century Canadian Writing. In Literary Genres/Les Genres Littraires . E. I.S. MacLaren and C. Potvin. Edmonton: Research Institute for questions Comparative Literature, U of A, 1991. 19-30. Brown, E.K. On Canadian Poetry . 1943. Rev. ed. 1944. Ottawa: Tecumseh, 1973. ——.

Prefatory Note. In The Character and Poetry of Keats. By Archibald Lampman. Ed. E.K. Brown. University of Toronto Quarterly 15 (June, 1946): 356-57. ——. Podcasting Research Articles. Prefatory Note. Revolution Essay. In Two Canadian Poets: a Lecture by Archibald Lampman.

Ed. E.K. Brown. University of Toronto Quarterly 13 (July, 1944): 406. Campbell, William Wilfred. Podcasting Research Articles. American Literary Conditions. In The War Among the Poets: Issues of Plagiarism and Patronage among the Confederation Poets . Ed. For A Research. Alexandra J. Hurst. London: Canadian Poetry Press, 1994.

4-9. ——. At the podcasting Mermaid Inn: Wilfred Campbell, Archibald Lampman, Duncan Campbell Scott in public law case, The Globe 1892-93 . Research Articles Dissertations. Toronto: U of Toronto P, 1979. Carlyle, Thomas. Works . Centenary Edition. 30 vols. London: Chapman and preparing Hall, 1897. New York: AMS Press, 1969. Collins, J.E. Podcasting Articles Dissertations. Life and where does the term ream of paper come from times of the Right Honourable Sir John A. Macdonald, K.C.B., D.C.L., c, Premier of the Dominion of podcasting dissertations, Canada . Toronto: Rose, 1883. Colvin, Sidney.

Keats . 1887. Public. English Men of Letters. London: Macmillan, 1913. Connor, Carl Y. Archibald Lampman: Canadian Poet of Nature . Podcasting Research Dissertations. Montreal: Louis Carrier, 1929. Davies, Barrie. Introduction. In Archibald Lampman: Selected Prose . Research Paper. Ed.

Barrie Davies. Ottawa: Tecumseh, 1975. Articles Dissertations. 1-9. Early, L.R. Archibald Lampman . Twayne World Authors Series: Canadian Literature. Boston: Twayne, 1986. Fraistat, Neil, ed. Poems in their Place: the Intertextuality and Order of Poetic Collections . Chapel Hill: U of american essay thesis, North Carolina P, 1986. Gnarowski, Michael. Introduction.

Selected Poetry . By Archibald Lampman. Ed. Michael Gnarowski. Ottawa: Tecumseh, 1990. 1-36. Goethe, Johann Wolfgang von. Novels and Tales . Trans. Articles Dissertations. R.D. Does Of Paper Come From. Boylan and J.A. Froude. 1854.

London: George Bell and Sons, 1878. Greig, Peter E. A Check List of Lampman Manuscript Material in podcasting research articles dissertations, the Douglas Library Archives. Douglas Library Notes 15 (Winter, 1967): 8-16 (Part 1); 16 (Autumn 1967): 12-27 (Part 2). Houghton, Lord. Life, Letters and the term come from Literary Remains of John Keat s. New York: George P. Putnam, 1848. ——. Memoir In Poetical Works . B. John Keats.

Ed. Lord Houghton. Aldine Edition of the British Poets. London: George Bell, 1876. ix-xxxi. Hurst, Alexandra J., ed. Podcasting Research Articles. The War Among the Poets: Issues of Plagiarism and Patronage among the Confederation Poets . London: Canadian Poetry Press, 1994. Keats, John. Poetical Works . Ed. Lord Houghton. Aldine Edition of the British Poets.

London: George Bell, 1876. Lampman, Archibald. An Annotated Edition of the Correspondence Between Archibald Lampman and Edward William Thomson (1890-1898) . Ed. Research Paper. Helen Lynn. Dissertations. Ottawa: Tecumseh, 1980. ——. Archibald Lampman: Selected Prose . Ed. Barrie Davies. Ottawa: Tecumseh, 1975.

——. Archibald Lampman’s Letters to Edward William Thomson (1890-1898) . Ed. Where The Term Of Paper From. Arthur S. Bourinot. Ottawa: Bourinot, 1956. ——. Podcasting Research Articles Dissertations. At the Mermaid Inn, Conducted by nursing A. Lampman, W.W. Campbell, Duncan C. Scott . Podcasting. Ed. Arthur S. Bourinot, 1958. ——. At the Mermaid Inn: Wilfred Campbell, Archibald Lampman, Duncan Campbell Scott in The Globe 1892-93 . Ed.

Barrie Davies. Toronto: U of Toronto P, 1979. ——. The Character and Poetry of Keats. Ed. E.K. Brown. University of Toronto Quarterly 15 (June, 1946): 356-72. ——. Happiness: a Preachment by Archibald Lampman and Carrying to You the Best Wishes of the Ryerson Press . Preparing An Outline For A Research. Toronto: Ryerson, 1925.

——. Letters to May McKeggie. Research Articles Dissertations. Microfilm copies. Trinity College Archives, Toronto. ——. Lyrics of Earth . 1895 [1896]. An Outline For A. Ed. D.M.R. Bentley. Podcasting Dissertations. Ottawa: Tecumseh, 1978. ——. Where Of Paper From. Papers.

National Archives of Canada, Ottawa. ——. Poems . Ed. Duncan Campbell Scott. Toronto: Morang, 1900. ——. The Poetry of Byron. Ed. D.M.R. Bentley. Queen’s Quarterly 83 (Winter, 1976): 623-32.

——. Style. Ed. Sue Mothersill. Canadian Poetry: Studies, Documents, Reviews 7 (Fall/Winter, 1980): 56-72. ——. Two Canadian Poets: a Lecture by Archibald Lampman. Ed. E.K. Brown.

University of Toronto Quarterly 13 (July, 1944): 406-23. Milnes, Richard Monckton. See Lord Houghton. Mothersill, Sue. Podcasting Dissertations. Archibald Lampman’s Critical Prose: an Edition of Selected Essays. M.A. Nursing Questions. thesis. Carleton U, 1981. Noel, Roden.

Life of Lord Byron . Dissertations. Great Writers. London: Walter Scott, 1890. Pater, Walter. [ Works ]. Library Edition. 10 vols. London: Macmillan, 1910. Roberts, Charles G.D. Collected Letters . Ed. School Essay. Laurel Boone. Fredericton: Goose Lane, 1989.

Ross, Malcolm. Introduction. Poets of the Confederation . Ed. Malcolm Ross. New Canadian Library, 1. Toronto: McClelland and Stewart, 1960. Shairp, John Campbell. Aspects of Poetry, Being Lecture Delivered at Oxford . 1881. Freeport, N.Y: Books for Libraries Press, 1972. ——. On Poetic Interpretation of Nature . Boston: Houghton Mufflin, 1877.

Symonds, John Addington. Shelley . 1878. New Ed. English Men of Letters. London: Macmillan, 1887. Taylor, M.Brook. Joseph Edmund Collins. Dictionary of Canadian Biography . Research Dissertations. 12: 204-06. Tennyson, Alfred, Lord. Poems . Ed. Help With Paper. Christopher Ricks.

Longman’s Annotated English Poets. London: Longmans, Green, 1969. Trinity, 1852-1952 . Spec. issue of Trinity University Review (1952): i-vi; 3-186.

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Ethnic Writing/Writing Ethnicity: The Critical Conceptualization of Chicano Identity. Ethnicity, and research dissertations, more crucially, the notion of indelible ethnic difference function prominently throughout Chicano criticism, calling into question literary canons, theoretical models, and reading strategies. However, in questions current criticism, definitions of Chicano ethnicity are surprisingly rare and lean. The Chicano subject stands mostly as a given, and podcasting research articles dissertations, a community is assumed whose artistic production can be read as ethnic product. I am most interested here in where ream how this reading takes place. How is Chicano ethnicity defined through the process of reading? The aim of this article is to podcasting articles look at school, how Chicano ethnicity is formed, codified, and podcasting research, institutionalized in Chicano criticism.

Specifically, I want to look at how the theme of american revolution thesis, resistance has become one of the chief characteristics of ethnic Chicano criticism. In the first section of the paper I will trace the emergence of the theme from the work of Americo Paredes and Jose Limon. From there I wish to consider the implications and limitations such an ethnic position has for Chicano critics, including Chicana feminists. Gloria Anzaldua and (more recently) Norma Alarcon have offered imaginative and rigorous revisions of Chicano critical identity, but it is podcasting research dissertations Cherrie Moraga who has most directly critiqued the patriarchal structures within Chicano critical writing (the subject of this article), and her work will be useful here. Finally, I wish to look at how one critic, Ramon Saldivar, has coped with the theoretical imbroglio presented by the mesh of theory and politics, and the question of whether he has done so sufficiently will be raised.

To begin with, race and genetic makeup, though undoubtedly significant for the ethnic subject, cannot be the defining category for nursing school essay ethnicity. Chicanos, for research dissertations example, are racially akin to Mexicanos living south of the border; their ethnic difference is conditioned by nursing school the map as it is drawn around them. Research Articles Dissertations! This simple observation is born out theoretically by Benedict Anderson , and it is performed in the proliferation of Chicano critical works which reference the map in their titles (the term Borderlands appears on the cover of revolution thesis, three recent books currently sitting on my desk). Thus, William Boelhower argues, Identity was (and is) very much a question of boundaries, for there could not be a national people without a common territory and jurisdiction. On the map culture, geography, and their mutual definition go together (50). Likewise, Werner Sollors argues ethnic groups in the United States have relatively little cultural differentiation, that the cultural content of ethnicity. is largely interchangeable (28).

Sollors himself recognizes the heretical nature of this pronouncement, and podcasting, I'm not inclined to disagree. Nonetheless, I sympathize with his urge to turn to textualized representations of ethnicity, because mental formations and where to put statement, cultural constructions (the codes, beliefs, rites, and rituals) are palpably performed in imaginative literature of the podcasting research most diverse ethnic provenance as well as in nonfiction, including academic discussions of the field (Sollors 9-10). Elaborating on Sollors' argument, Boelhower theorizes any sign can be read as ethnic if it is placed in an ethnic sign system, for ethnic interpretation lives and dies with the single subject and his or her ethnic gaze (106, 105). We look to literature for an understanding of american revolution thesis, ethnicity not because ethnicity is writable, but because it is readable. Writing (noun) about ethnicity, performs the writer's reading of ethnicity. None of this is to suggest that ethnic literature cannot exist in categorical form, or that the term Chicano literature is research articles a subjective and irrelevant designation. Luis Leal has persuasively critiqued Sollors for reaching just these conclusions. Still, Leal acknowledges the where in the underlying readerly nature of ethnic literature, when he quotes John Reilly to support his critique: What we designate 'ethnic literature' are the products of dissertations, authors who choose to school law case feature the significance of ethnicity in their writings (Leal 1994, 26). Podcasting Research! Ethnic writing is a choice, and results from the preparing an outline research author's own ethnic gaze inward, the reading of self as ethnic subject. An understanding of the development of the podcasting corrido, and more importantly, the development of the criticism of the corrido leads to a clearer view of the relation between cultural product and ethnic identity. Jose Limon theorizes that there are certain enabling conditions which give rise to for a research paper the corrido.

These include A collective adversarial consciousness, a prolonged social conflict, a sense of violated communal social order. [and], heroic actions by local heroes (Limon 1992, 26). Limon is talking about the cultural and national tensions existing in Texas above the Rio Grande from 1848 into the early 20th century. Podcasting Research Articles Dissertations! Raymund Paredes succinctly explains the origins of this conflict and the conditions which engendered heroes: Thus, with the enabling conditions present, corridos were sung with increasing frequency at the close of the preparing an outline for a research 19th century. The theme of cultural conflict became more pointedly expressed with ballads about heroic Texanos who could draw on their stock of cultural skills to counter-hegemonically resist the Anglo oppressors. Raymund Paredes believes that in the corrido are the components of a nascent Chicano sensibility, but he also acknowledges that these Texanos still considered themselves 'Mexicans' and were likewise designated by Anglos (R.

Paredes 76, 78). The distinction is subtle but curious, and merits further examination: at podcasting research dissertations, what point did these people, Mexican citizens prior to 1848, become Chicanos? If Chicano culture is a border culture, its literature will reflect border themes, but when this identity began to crystallize is less clear. Americo Paredes has taught us that the corrido of border conflict assumes its most characteristic form when its subject deals with the does ream conflict between Border Mexican and Anglo-Texan, with the Mexican—outnumbered and pistol in hand—defending his 'right' against the rinches (A. Paredes 147).

Paredes' seminal work, With his Pistol in his Hand , seeks to podcasting articles define the most significant corrido for the history of Chicano culture, the ballad of Gregorio Cortez. The ballad narrates the true story of public law case study, Cortez, a Texano rancher who shot and killed his brother's assailant, a Texas Ranger. Though badly outnumbered by Rangers, Cortez fled across the border, defying the Anglo authorities with his pistol in his hand. Articles Dissertations! The emergence of a corrido about the preparing an outline life of Cortez is not unusual, and in fact it comes in a long line of podcasting, hero-based ballads. What does stand out is the emergence of variants of the term ream, this particular ballad which show.

My questions of origin indicate an archival impulse which I recognize and wish to podcasting articles dissertations pursue. Boelhower regards such origins myth, but it is one that is where does of paper essential to the formation of a sense of ethnic community in that it marks the beginning of the history of the podcasting research articles group and thus its individuality (99). Paredes is too subtle in his study of the corrido to pinpoint cultural origins, but subsequent readers of With his Pistol in his Hand have done just that. Most notable of these is law case study Jose Limon, formerly Paredes' student at the University of Texas, Austin, and podcasting research, presently the most creative (and I believe important) Chicano scholar since Paredes himself. In many scholarly articles, and laced within some books, Limon credits Americo Paredes for establishing the necessary links between contemporary Chicanos and their history. In M exican Ballads, Chicano Poems (1992) Limon argues that the publication of With his Pistol in questions his Hand not only establishes the most formative trope for Chicano critical culture (the Ballad of Gregorio Cortez), Paredes' book is itself a point of origin in the development of podcasting dissertations, Chicano ethnic identity. Limon's thoughts on Paredes' book are significant for introducing a creative and public school study, key conceptualization of Chicano ethnicity because Limon privileges reading as the primary process by which the Chicano comes to research know him or herself. If Paredes' study indicates the early cultural products of an emerging ethnic community, Limon's reading of Paredes locates the precise origins of ethnicity, and preparing research paper, it is with Paredes himself.

In Limon's own words, Paredes's scholarly anthropological study became a powerful influence on a new generation of Chicano writers, intellectuals and activists as they produced a new critical social discourse during the 1960's (1992, 65). As Limon sees it, a new generation of Chicanos just entering the universities, found With his Pistol in his Hand to be a new kind of podcasting research articles dissertations, corrido, one whose complex relationship to the past enabled it to speak to the present (1992, 65). Limon argues that this community of research paper, young scholars—spread out at articles dissertations, universities around the U.S., though united by their marginalization as well as scholarly interest in Chicano culture—came to idealize Paredes himself, forming a corrido- like discourse around him: Implicated in Limon's theory and praxis are certain limitations on Chicano criticism as a whole. Limon's theory of influence partakes of revolution, Harold Bloom's patriarchal Anxiety of articles, Influence theory, while his re-performance of Paredes reifies Paredes as the where a thesis statement in the patriarchal father of Chicano criticism (Limon devotes an appendix to accommodating Bloom's theory with cultural criticism). In the process of codifying the podcasting research articles dissertations corrido and public school study, institutionalizing Paredes, Mexican Ballads, Chicano Poems also establishes a patriarchal, phallogocentric paradigm for articles dissertations Chicano criticism.

The archetypal critic is Gregorio Cortez/Americo Paredes—heroic defender of culture, fighting with pistol/pen in his hand. Likewise, the critical process becomes border based and manichean: Cortez vs. Anglos, Paredes overcomes academic racism, etc. The problem with these dialectical categories is that they are insufficiently flexible to account for american essay thesis the multiplicity of experiences within the Chicano experience. Additionally, the categories replicate themselves if subsequent critics have no choice but to wrestle with and incorporate their precursors/critical fathers. Chicano ethnicity, conceived dialectically as it is by Limon, limits discussions of difference within Chicano life. If the resistance-based corrido is the podcasting articles dissertations master poem, and Paredes is the Father critic, how can one talk about issues of gender inequity, implicit in the corrido itself; how to talk about issues of study, economic class difference amongst Chicanos, a subject in Richard Rodriguez's Hunger of Memory, and Luis Valdez's play, The Shrunken Head of Pancho Villa; these questions agitate Limon's scheme and merit further investigation In Mexican Ballads, Chicano Poems Limon proposes to articles dissertations study the question of gender in culture.

However, rather than focus on women (in a way that currently tends to become synonymous with gender analysis), I focus on an all-male tradition. (2-3). Limon proposes that the creative poetic and political impulses. Help! can originate in patriarchy. Podcasting Articles! [though] deeply conditioned by a psychopoetic acknowledgment of the strength of paper writing, women, principally in the form of the maternal (3). The bulk of the text implicitly or explicitly deals with and naturalizes patriarchy in the formation of Chicano culture, while only three and research articles, a half pages are relegated to where to put the study of the strength of women under the subheading Contradiction and podcasting research articles dissertations, the Corrido: The Repression of the Woman's Voice (35). Chicana feminist critics have abundantly and usefully identified the patriarchal scheme implicit within much of Chicano criticism in general. Norma Alarcon, for nursing school essay example, critiques a past Chicano patriarchal interpretation of culture, which holds the potential for locking [Chicana poets] into crippling stereotypes (Quintana 79).

Likewise, Alvina Quintana suggests the way out of these stereotypes is for the Chicana writer to engage in mediating and negotiating between two cultural systems, constructing a cultural and feminist identity as she works to deconstruct the predominantly male cultural paradigms that have worked to suppress a female perspective within Chicano criticism (Quintana 74). In The Last Generation Cherrie Moraga performs just such mediations. Although Moraga marks a clear border between Chicanos and Anglos in The Last Generation, she is not looking for a male hero to help her cross that border: Moraga's criticisms in The Last Generation significantly undermine patriarchal thinking for Chicano criticism, though she does not dispense with cultural agon. The theme of resistance persists in her critiques, but Moraga is resisting circumscription within a narrowly defined Chicano culture as well as the dominant Anglo culture. The delineation of concrete conceptual borders threatens individual identity, according to Moraga, and this insight is especially important for my study. Moraga forges an podcasting research ethnic identity which is at once highly personal and broadly inclusive. Limon's theory of patriarchal cultural transmission is ultimately predicated on the personal relationship of the nursing essay questions critic to his and research dissertations, her immediate (personal) culture. Cultural heroes do exist, as Limon argues, but culture is finally known and with, internalized on a personal level, as Moraga shows us. These two concepts need to be reconciled in order to see the process by which Chicano critics read and inaugurate ethnicity.

The intersection of articles dissertations, critical identity with personal-cultural identity marks the origins of the individual subject's self-awareness as ethnic. At the center of Chabram's essay are interviews with the does the term of paper editors of Borderlands , focusing on their experiences at podcasting research articles, Yale. Hector Calderon tells Chabram. In their introduction to Criticism in the Borderlands , Calderon and Saldivar do not directly acknowledge this tension; rather, they write of challenging conservative habits of mind. opening new perspectives on American literary history (6). Furthermore, they offer an invitation to readers—(Pan-) Americanists, cultural studies critics, feminists, historians, and anti-racists—to remap the borderlands of theory and theorists; apparently, decon-structionists and other poststructuralists do not make the guest list (7).

The reason for the make-up of this list is by to put in the now clear: Chicano literature demands to podcasting research articles be read historically; the author's cultural background is does ream of paper come from important; subjective identity matters. Research Articles Dissertations! Or, as Luis Leal puts it, the Chicano has to create a new synthesis out of history, tradition, and his everyday confrontation with the ever-changing culture in which he lives (Leal 1979 4). Leal's prescription of synthesis draws our attention back to the theoretical border that would divide structuralist theorists (Marxists, new historicists) from post-structuralist deconstructionists. In Chabram's interview with Ramon Saldivar, we see one of the few Chicano critics who locates himself on the deconstruction side of the border. Describing his experience at Yale, Saldivar says, It struck me that in the case of the an outline for a Mexican-American you had precisely a concrete historical example of what Derrida was talking about in abstract, philosophical terms (Chabram 131). Saldivar's implicit rejection of synthesis in his interview with Chabram is corroborated by his theorizing about Chicano narrative.

In the introduction to Chicano Narrative: The Dialectics of Difference Saldivar writes: In Dialectics of Difference, Saldivar theorizes about dialectical models in order to construct a resistant critical position. Research! Arguing against thesis Hegelian dialectics, Saldivar turns to Theodore Adorno's theory of negative dialectics, which negate[s] the research dissertations possibility of an ultimate synthesis of subject and object in every conceivable concrete situation (173). Preparing For A Paper! Identity, Saldivar continues, is a contradiction: In opposition to a positive identity, fixed, namable, absolute, and self-satisfied in its stability Adorno offers a negative dialectic that proposes a critique of podcasting research, 'every self-absolutizing particular', even the absolute notion of the where the term ream come from self as an autonomous, independent entity (174). Ramon Saldivar's agitation of a fixed identity directly contrasts Jose David Saldivar's rejection of the dissertations end of subject-hood, but his project of counter-hegemonic criticism is the same: An unfixed, decentered identity alters the pattern by which a society must position the subject so that 'it shall freely submit to its subjection' (174). Saldivar's dialectics of difference locates the dominant identity (society) on the same plane as the marginalized ethnic subject, and here his theory of ethnicity begins to reveal itself. Each corresponds to the other, each knows itself only in preparing an outline research relation to the other due to the incessant presence of the self in the other (174). We can hear in Ramon Saldivar's theory resonances of dissertations, Limon's Bloomian paradigm for public study Chicano critical studies. Saldivar was certainly among the young college students who came of age in the 60's and found With his Pistol in his Hand influential. We can likely extend the paradigm to Saldivar then: he too has taken up the call to resist, in this case the hegemony of dominant (Anglo) reading strategies.

Said notes that his use of negative dialectics resists the categorizing of Chicano literature as other and makes a strong case for the right of formerly un- or mis-represented human groups to speak for and represent themselves in domains defined politically and intellectually as normally excluding them (R. Saldivar 4). Saldivar not only assumes the critical position of his Chicano father, Paredes, with his counter-hegemonic theory; he also upsets the podcasting dominant Derridean rejection of public law case study, ethnic literature (see Boelhower for example) by using deconstruction itself. Saldivar's lengthy study of the historical circumstances of articles, Chicano identity are conditioned by his sense of the negative dialectic. He sees Chicano ethnicity as emerging from history, but only american revolution insofar as the Chicano subject is subjugated by a dominant Anglo oppressor. Saldivar's definition of Chicano ethnicity is historically and politically based, and it is research articles dissertations helpful to have it in front of us to discuss: If we read the main text of Saldivar's argument, however, we will have yet another incomplete accounting of the formation of Chicano identity.

True, he shows us the to put statement in the rising awareness of difference, but not the rising ethnic sensibility of resistance which Paredes and Limon insist is crucial to understanding Chicano culture. Where in podcasting research articles Saldivar's historical survey are we to find an account of the ethnic subject's awareness of and resistance to his own marginalization? Appropriately enough, and literally, in the margins, the footnotes of history. Saldivar provides a particularly provocative footnote which does much to explain the readerly nature of Chicano identity. I will turn to that footnote momentarily and of paper come from, use it to show the evolving sense of resistance in Chicano history. But first it is worth observing that the information in question is marginalized to a footnote by Saldivar. Derrida has written that footnotes, to the one who knows how to read. are sometimes more important than the so-called principal or capital text (203). Footnotes are less deliberately tautological than the main-text, and more reader-oriented in nature. Podcasting Articles! There is a looseness about footnotes due to their marginalized placement, but it is from the margins that history might speak most loudly. The footnote in question describes a process of reading and identification which runs counter to essay questions Saldivar's perception of subject-object relations.

The footnote describes not a negative dialectic, but a Hegelian one, recounting a historical synthesis between reader and text. Podcasting Research Dissertations! To this we now turn. The footnote in question is appended to a poem Saldivar cites by nursing essay Americo Paredes. The poem, The Mexico-Texan, is cited because it tells in brief the history of the Chicano in the Southwest (11). The poem parodies an already parodic stereotypical Texano voice, and tells the story of the emblematic Texano's plight: The Mexico-Texan he's one fonny man. Who leeves in the regin tha's north of the Gran' of Mexican father he born in these part, And sometimes he rues it dip down in he's heart. For the Mexico-Texan he no gotta lan. He stomped on the neck on both sides of the Gran. (Paredes quoted in R. Saldivar 11)

Here is dissertations what the footnote tells us: the poem quickly caught on as an preparing for a anonymous folk expression of popular resistance (11). The poem was written in 1934, and podcasting, was picked up and circulated fairly widely in ensuing years, verbally for preparing an outline research the most part (11). The poem, popular for its defiance, appears in a Latino news journal in 1937, and again in a Latino yearbook in 1939. Research Articles Dissertations! It became a part of local folklore, informing the culture of resistance that developed in Brownsville during the 1940's. In a conversation with Americo Paredes. Saldivar notes the poem was used in political campaigns, was anonymously reprinted a few times, and entered oral tradition locally. Collected in Brownsville as 'folk poetry' in the 1960's. (R. Saldivar 11). Public Study! Two recent critical works quote The Mexico-Texan to podcasting research articles establish a folk-based political sensibility (11). And of course, the poem appears as a point of where does the term of paper come from, reference in Ramon Saldivar's theory of the podcasting research articles dissertations dialectics of difference.

The lengthy footnote, including the apparent conversation with Paredes, indicates that the poem is significant to Saldivar, but he closes the footnote only by mentioning the interesting way oral poems become written texts. I am struck by the uncanny triptych of The Mexico-Texan. The peripatetic itinerary of the paper writing poem replicates Limon's theory of the spiraling influence of With his Pistol in his Hand . Both works move from cultural product to political product to critical product. Paredes' poem, like his book, originally traveled in local circles, influential for individuals though not yet formative for ethnic identity. Then the poem, also like the book, became overtly politicized at a formative moment in the development of Chicano ethnic identity. Finally, the poem was placed in critical works, retrospectively, to synechdocally represent a culture it helped to form. Here we see that criticism, as Terry Eagleton has noted, is bound to the culture which it critiques, serving to naturalize and institutionalize that culture. The movement of Paredes' poem from folkloric artifact of the political unconscious into the contemporary critical conscious is typical of the politicized, historically-based Chicano critical movement. Podcasting Research! The poem's history is paper writing illustrative of the way ethnic folk culture informs political culture.

True, the poem was a political act to begin with, but during the 60's, Chicano activists asserted it, to use Teresa McKenna's terms, as a root metaphor. It is during the Movement that folk culture becomes transformed from a genre of cultural performance to the status of a root metaphor for the paradigmatic contestation between the Anglo-American 'other' and podcasting dissertations, Mexicans on this side of the border (McKenna 193). Participants in the Movement who are now scholars of literature are synthesized with objects of study like the public law case study Paredes poem. The root metaphor becomes a metaphor of the text. furnish[ing] the terms in which the text can know itself' (Eagleton 19). Eagleton seeks to research dissertations break down the the term of paper come from imagined ideological distinctions between the criticism and its object, but here, in the case of Chicano criticism, there is no initial positing of podcasting research dissertations, such a difference.

In the case of The Mexico-Texan, the poem enters the scene with its politics already intact. It becomes a political instrument throughout the 60's and a critical tool in the 80's and 90's. The Ballad of Gregorio Cortez has the help writing same itinerary as The Mexico-Texan. The poem appears to podcasting research Americo Paredes to be linked to to put statement in the his own personal identity, but at the same time representative of a broader cultural identity. Paredes' reading of this particular corrido distills it on the one hand by drawing out its potent thematics. At the same time, Paredes locates the poem in time and place, thereby increasing its accessibility. Subsequent readers of Paredes come to know the history of the southwest border conflicts via the corrido. The poem becomes the historicizing force distilling the past, while it sets up cultural codes and ethics for the present and future. Thus the corrido, read as history by Paredes, makes history during the research dissertations sixties by serving as an ethnic model for american essay thesis Chicano activists.

Later, it is the catalyst for a set of essays, papers, even the operational trope for books, in which authors see their own present history as a mirror or continuation of the past. The theory being offered here is about the way in podcasting which ethnic identity receives its definitions. Let me clear: I am not arguing that there is one fixed Chicano ethnic identity, nor do I propose there is one defining moment in the history of Chicano ethnicity. Instead, I see in the criticism of contemporary Chicano scholars implicit definitions of ethnicity. Some of the most influential critics of Chicano literature are studying their subject with an implicit perception of ethnic identity, but often that identity comes from the literature itself. Jose Limon knows this, and revolution essay thesis, his reading of With his Pistol in his Hand as a strong poem is his attempt to locate Americo Paredes at podcasting, the genesis of Chicano ethnicity, at help writing, least as it is currently manifested. The question lingers, how does one understand ethnicity? The emphasis of that question should be on the word how by now, for ethnicity is dissertations both an idea and a process.

As Cherrie Moraga has shown us, ethnicity is help fluid, political, and articles dissertations, generally more inclusive than not. I'm not sure we've yet developed a critical theory (a reading strategy) that knows this, but perhaps this is not an epistemological issue. Anderson, Benedict. Imagined Communities. New York: Verso, 1991.

Boelhower, William. Through a Glass Darkly: Ethnic Semiosis in American Literature. New York: Oxford UP, 1987. Calderon, Hector, and Jose David Saldivar. To Put! Introduction. Criticism in the Borderlands. Ed. Hector Calderon and Jose David Saldivar. Durham: Duke UP, 1994.

1-7. Calderon, Hector. The Novel and podcasting articles dissertations, the Community of Readers: Rereading Tomas Rivera's Y no se lo trago la tierra. Criticism in the Borderlands. Ed. Hector Calderon and where does ream of paper come from, Jose David Saldivar. Podcasting Articles Dissertations! Durham: Duke UP, 1994. 97-113. Cixous, Helene. The Laugh of Medusa.

The Critical Tradition: Classic Texts and Contemporary Trends. Ed. David H. Richter. New York: St. Martin's, 1989. 1090-102. Chabram, Angie. Conceptualizing Chicano Critical Discourse. Criticism in the Borderlands. Ed. Hector Calderon and Jose David Saldivar.

Durham: Duke UP, 1994. 127-48. Derrida, Jacques. Dissemination. Trans. Barbara Johnson. Chicago: U of Chicago P, 1981. Eagleton Terry. Criticism and Ideology: A Study in Marxist Literary Theory.

London: NLB, 1976. Leal, Luis. The Rewriting of American Literary History. Criticism in the Borderlands. Ed. Hector Calderon and Jose David Saldivar. Durham: Duke UP, 1994. Nursing Questions! 21-7. —. The Problem of articles, ldentifying Chicano Literature. The Identification and Analysis of Chicano Literature. Ed.

Francisco Jimenez. New York: Bilingual Press,1979. 2-6. Limon, Jose. Dancing with the Devil: Society and Cultural Poetics in Mexican-American South Texas. Madison: U of Wisconsin P, 1994. —. An Outline For A Paper! Mexican Ballads, Chicano Poems: History and Influence in Mexican-American Social Poetry, Los Angeles: U of podcasting, California P, 1992. —. The Return of the Mexican Ballad: Americo Paredes and His Anthropological Text as Persuasive Political Performance.

Working Paper Series .No. 16. Stanford: SCCR, 1986. McKenna, Teresa. On Chicano Poetry and the Political Age: Corridos as Social Drama. Criticism in the Borderlands. Ed. Hector Calderon and Jose David Saldivar. Durham: Duke UP, 1994. 181-202. Moraga, Cherrie.

The Last Generation: Prose and Poetry. Boston: South End Press, 1993. Padillo, Genaro. Essay Questions! Imprisoned Narrative? Or Lies, Secrets, and Silence in New Mexico Women's Autobiography. Criticism in the Borderlands.

Ed. Hector Calderon and Jose David Saldivar. Durham: Duke UP, 1994. Podcasting Articles Dissertations! 43-60. Paredes, Americo. With His Pistol in does the term of paper His Hand: A Border Ballad and research articles, Its Hero. Austin: U of Texas P, 1958. Paredes, Raymund A. The Evolution of Chicano Literature. Paper! MELUS 5.2 (1978): 71-110. Quintana, Alvina. Ana Castillo's Mixquiahuala Letters: The Novelist as Ethnographer.

Criticism in the Borderlands. Podcasting! Ed. Help With Writing! Hector Calderon and Jose David Saldivar. Durham: Duke UP, 1994. Research! 72-83. Sollors, Werner. Beyond Ethnicity: Consent and Descent in American Culture. New York: Oxford UP, 1986. Williams, Raymond. Base and Superstructure in Marxist Cultural Theory.

Contemporary Literary Criticism. Paper! Ed. Robert Con Davis and Ronald Schleifer. New York: Longman, 1989. 489-501.

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